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For Booking Information Contact:

Shofar Booking / Shofarbooking@gmail.com

For Booking Contact:

Shofar Booking:  Shofarbooking@gmail.com

 

As a forever present unofficial-turned- official member of SLUM VILLAGE, producer/rapper YOUNG RJ has twice been

entrusted with continuing the legacy of Detroit’s most important rap group. But with a prosperous music career behind the

scenes and officially as part of the group, he’s ready to speak for himself with his solo debut, BLAQ ROYALT.

On BLAQ ROYALT, YOUNG RJ shows the same musical versatility that made him such a reliable producer for the likes of

Slum Village and 50 Cent - and a mic presence that’s just as potent. “Huh” employs ominous synths for a ruthless, chase-

checking mentality to music; “Issues” (ft. BJ The Chicago Kid) finds common ground through everyday struggle; and “Right

Now” has the seductive vibe of Slum’s classics. Music fans have depended on Young RJ’s ear for decades, and he delivers as

always.

YOUNG RJ’s solo career has been a long time coming. As a child, he toured with his parents, who founded the Detroit R&B

band R.J.’s Latest Arrival, while family friend, founding member of Slum Village and legendary producer J Dilla taught him how

to program a drum machine and mix songs as a teenager. Once Dilla felt he was ready, he asked for Young RJ’s help with

completing “Climax,” a fan favorite from Slum Village’s seminal 2000 album Fantastic Vol. 2.

YOUNG RJ’s tutelage was put to the test when Slum Village’s roster was shaken up: Dilla left to pursue a solo career, Baatin

left because of health issues and Elzhi entered as a new member. Young RJ co-produced and engineered on their transitional

album Trinity (Past, Present and Future), and as on “Climax,” his contributions were largely uncredited. But after paying dues,

RJ began to have his name attached to his works.

Soon-there- after, YOUNG RJ and Black Milk formed the group B.R. Gunna, produced a compilation project called Dirty District

Vol. 2, and were tasked with producing Slum Village’s following two albums, Detroit Deli (2002) and Slum Village (2005).

Despite finding new mainstream success, Slum Village went on hiatus after 2005, leaving YOUNG RJ free to build his own

catalog. Forever his mentor, an inspiring conversation with Dilla before his death in 2006 led Young RJ to work and study old

school bands like One Way and Zapp to sharpen his music chord progressions. As his sound matured he began to place beats

with 50 Cent, G-Unit members Lloyd Banks and Young Buck, Little Brother, De La Soul, Eric Roberson and Proof (of

Eminem’s group D12).

But just as he began to build momentum, family business called: Slum Village was ready to return. YOUNG RJ abandoned his

outside work to resume a workhorse producer/engineer role. But the group dissolved just as quickly as they reemerged: Baatin

tragically died in 2009, and Elzhi left the group.

Determined to keep the group alive, YOUNG RJ honored a late wish by Baatin and in 2012 officially joined Slum Village as a

producer and a member. It was his first time regularly rocking the mic since childhood, but nevertheless, he and T3 reinforced

Slum Village’s legacy with two critically-acclaimed albums, Evolution (2013) and Yes! (2015), and during the past five years they

performed multiple worldwide tours. He then returned to his Detroit studio to prepare his debut.

“Creating my first solo project gives me a different sense of freedom, although my Music is based on the Slum Village

philosophy of sound, people will now get insight into one of the men behind the music,” states Young RJ.

With BLAQ ROYALT, YOUNG RJ succeeds in giving the listener a look through his musical lens.

BIO